[“Geeking
Out with…” is a series of interviews with well-known, highly experienced
improvisers. It’s a chance to talk about stuff that might interest hardcore,
improv dorkwads like Pam. The series can be found in full frontal geek out
version on My Nephew is a Poodle and in pithier
version on the Women in Comedy Festival blog. For behind-the-scenes action, ‘like’ the “Geeking Out with…”
Facebook page.]
If you don’t know the answer to “What can we learn from ‘Doublemint Twins Get
Fucked Up the Ass’?” then you’ll probably want to read Part One of
“Geeking Out with…Susan Messing” when Susan and I got our geek on about
her improv history as well as her approach to teaching improv. In this second of our two-part interview, we
talk about Susan’s fearlessness on and off stage, her take on how improvisers
can adopt a more confident approach, and how best to get high off improv. And apologies,
dear readers, that the subject of Louis C.K.’s enthusiastic masturbatory habits
comes up that for the second time in this series. I will try not to allow it to happen again (but
no promises).
When I asked several of Susan Messing’s friends and
colleagues to name three words they associate with her, a couple fine lasses
couldn’t resist the opportunity to add a few more words of love and gratitude
for Susan:
From Angela
V. Shelton of Frangela:
“LOVE
LOVE LOVE THE SUSAN MESSING! Of course, she's one of those people it's
impossible not to love, not to laugh with, not to let her smile make you
smile...No one, and I mean NO
ONE has more joy and generosity on and off stage at Second City. She improvises
the way that kids do - it's fun and not just about getting a laugh...She LOVES
to improvise, she's an amazing actor and improviser, and she is utterly without
ego or a mean bone in body and no one has to earn her respect on stage. She
takes "yes and" and "make each other look good" to heart,
but I suspect that if she'd never come to Second City - she'd still be yes
andin' and making everyone in her life look their very best.”
“Susan
has the imaginative ability of a child. The ability to slip into worlds and
live there with no judgment, complete acceptance, and she just builds and
builds. The imagination I think we are all trying to re-capture in our work.
The imagination we all had before the world taught us to worry about what
others think and judge our ideas. It is inspiring and inspired. She is a joy.”
***
 |
| "For me it was more about being brave, which is being scared as shit but doing it anyway with the result of flying." - Susan Messing |
PAM: Oh, by the way, in the name of
research and curiosity, I watch "Fatty Drives the Bus" a couple
nights ago.
SUSAN: Oh
god.
PAM: LOL!
SUSAN: You
had nothing Tivo'd?
PAM: I told you I'm a 'ho for improv,
right?
SUSAN:
That's not improv as much as it probably was an editing nightmare.
PAM: I bet. The editing was not its
strength.
SUSAN:
It’s hard to edit something that’s improvised.
PAM: It was sort of Fellini meets Ionesco
meets a couple kids with a video camera.
SUSAN:
Sounds about right.
PAM: You were a highlight. As was Mark
Sutton's diatribe with the flower.
SUSAN:
Bless your heart - can't watch it.
I liked the puppy maze.
PAM: LOL! Yeah, that was a great sketch
moment.
SUSAN:
Nope. I try to keep her away from it all as much as possible! I don't think
she's really watched The Brady Bunch,
so I don't know if she'd have anything to compare it to. I assume one day she
will.
The cast of The Real Live Brady Bunch
(including Susan, Jane Lynch, and Andy Richter)
appear on Geraldo
PAM: Since we homeschool, I decided to give
my kids a "course" in TV history, so I had them watch the classics. I
couldn't believe how sexual The
Brady Bunch was. Cindy had a boyfriend
when she was like six.
SUSAN:
Incestual.
PAM: Hahahahaha!
SUSAN:
They were all fucking each other off camera. Read Maureen McCormick's
autobiography.
PAM: Yeah, I heard that. And that Greg was
a total playah. Ew. Who would fuck someone with wooden beads instead of a door?
SUSAN:
He's “ew” now, but at the time I think I probably thought he was cute. I'm 48.
PAM: I'm 45. I think I was more into Peter.
I like the underdog.
SUSAN: Me
too. And the goalie, and the drummer.
PAM: Oh no! Not the drummer! Those guys
were always NUTS.
SUSAN: Yup,
and so are comedians.
PAM: Touché.
So do you try to keep your daughter away from all the
comedy or just the early stuff? Is she into the fact that you're a comedian?
SUSAN: I think
that she's pleased with it...USUALLY she's amused. Sometimes
she's embarrassed, and a few times she's been really pissed when I try to get
her out of a bad mood by joking when she still is upset. Still, we went to a
Marshall's last week and she suggested that we "walk funny" to the
entrance but have our faces look normal.
The other day she did say
that I was the coolest mommy, but that might change tomorrow. She is delicious
and very, very kind. And she's a better comedian than most people I know.
Seriously. Best straight man in the business.
PAM: Is there any effect that
parenting has had on your improvising? Or your improvising has had on your
parenting?
SUSAN: My
parenting is probably far more creative because I improvise. But then again, I became a
mother at 39, right before clotting age, so I have more patience than I would
have had when I was younger.
PAM: Lol! I spend a lot of time thinking
about how the lessons in improv are also some of the most important lesson
about life too. What life lessons from improv do you bring to your parenting?
SUSAN:
Just took a deep breath…there are too many. Cooperation, working together, all
those Spolin-y, feel good words that would sound really trite. My daughter
knows I'm on her side, and I'm not just dicking her around because I'm a
grownup.
PAM: I first started consciously thinking
about humor when I was 13. This is around the same time I discovered the power
of a whole class of “dirty” words. The most powerful among them was “vagina.” I
mean, it wasn’t even one of those absolutely forbidden words like “cunt.”
Vagina was written in biology books, but you still could only whisper it – or
better yet, not even say it. This is 1979, mind you, before everything was vag-this
and pussy-that. As a fairly sensual person, this blue humor quickly became my
default because you could get people to laugh from shock and humor. Two-for-one
special. That was a long (and hopefully not overly tedious way) of asking you
where your special blend of blue humor comes from?
SUSAN:
Special blend? Like coffee? I don't think of it as "blue" as much as
I think of it as "uncensored." Content needs to be protected so that
people are willing to watch it - that includes locales, time slots, audience
consideration. I don't do at Second City or iO what I do at the Annoyance,
which, as far as I know, is one of the few places in the world that supports
uncensored content.
I was censored on Mainstage
[at Second City.] They were worried about the "Annoyance" in me. And
it was great to flex social and political satire muscles...but I like to be
freeeeeee too.
PAM: I hesitate to talk about your potty
mouth in an interview because I question whether the whole issue is sexist. I
mean, do people ask Louis C.K. why he talks about his dick so much?
SUSAN:
People probably wonder why Louis C.K. talks about his dick so much. It's ok.
PAM: He really does like to masturbate an
awful lot.
SUSAN:
That's what I've heard...But I also think that he's a genius. So as long as he
keeps his dick in his pants around me, I think he's swell…because I'm going to
be married and I don't need to see his dick.
I met him once and he
couldn't have been nicer.
PAM: I'm sure Louis C.K. is nice, but
nobody seems to ask him why he has such an uncensored patter. Meanwhile, I've
heard people ask you that quite a bit in interviews.
SUSAN: I
don't question it as much as I just answer the question. But you've been doing
your research and you've read that a lot, huh. Interesting.
PAM: But - Louis's penis aside - I wonder
why people feel the need to bring up your uncensored style on stage?
SUSAN: Maybe
because not many women do uncensored work? There was a time at the Annoyance
where women actually outnumbered men or were at least fifty percent; and we
were all doing and saying what we wanted, so I guess I hadn't noticed it as I
was too busy having fun.
PAM: I’ve read in some interviews where you
talk about giving yourself permission to go for it on stage. That
“self-permission” is a quality I really admire. Some women find it so difficult
to be like that – you’ve got to have steely balls, right? What gives Susan
Messing such steely balls?
SUSAN: Not
sure, but my dad raised three girls kind of like independent boys, and then I
played with all guys on Blue Velveeta,
and then certainly you had to develop a tougher skin for The Annoyance or to
get through a Second City Mainstage rehearsal process… Maybe when I started,
comedy was more of a boy sport and I wouldn't survive unless I grew a pair? Not
sure. But it sounds right.
However, after reading [what
I just wrote], I'm still not sure. Maybe I always sort of had them or at least
a baby pair that hadn't descended yet. For me it was more about being brave,
which is being scared as shit but doing it anyway with the result of flying.
It was worth being kicked in
the balls.
PAM: One of the things I admire most about
you on stage is your relaxed yet balls-to-the-walls confidence. That admiration
was confirmed when the adjective “fearless” came up A LOT when people were
asked to describe you. Does that come from years of improvising on stage or is
that a quality you just embody naturally?
SUSAN: I
am always scared, but my desire to create supersedes the weirdness I have to go
through in order to create - and then I get off again. That's my standard line
and it's my truth.
I think my joy is that I haven't
been kicked offstage yet...and that people I play with would agree to play with
me.
PAM: What is it about your performance or
skills that inspire so many people to describe you as fearless?
SUSAN: I
have no idea. I'm on the inside so you'd have to ask the outside. Maybe that
I'm having so much fun in the moment once I silence the bullshit in the brain? Ultimately
we had better have fun or the gig's fucking OVER.
God knows we don't do it for
the money! Still, very nice to hear.
PAM: And playing with the brakes off is
most fun for you?
SUSAN:
Brakes off, right into a wall. Yes please.
PAM: Yeah. See right there. I think that's what people
are talking about.
What advice would you give to female improvisers on
how to play with more confidence and labial fortitude?
SUSAN: Oh…the
JOYRIDE. That's rough because part of me had to take the ladies out of the
equation and put us all in the people category. How about you do what you do, I
do what I do, we shove it in a world, and it'll all work out fine? At the
least, when you want to give up and/or blame it on men, that's the exact moment
you recommit. What if, god forbid, we were all RIGHT? What if you couldn't be
WRONG? What if you were exactly what was needed at that very moment?
And maybe, just maybe,
because no one has told me I'm WRONG in a very long time, they think I'm RIGHT;
when in fact, I'm just making sure to have more fun than anyone in the whole
wide world. And that shit's contagious, and then I'm so grateful they get my
gig and we're all happy. -By Susan
PAM: Brava!
SUSAN: You
just pulled that out of me. Not me.
PAM: [Insert compliment-deflecting dildo and/or tampon joke
here.]
Do you ever hear the ugly "You suck" monster whispering in your head during a show? Or are you past that?
Do you ever hear the ugly "You suck" monster whispering in your head during a show? Or are you past that?
SUSAN: Nah.
We all go there for a bit, and the SECOND I go there I recommit to the moment
and reinvest in myself, my world, and my friend. And by being in the moment
it's as simple as smelling, touching, tasting, fucking, right the fuck NOW. So
I'm too busy doing all that to listen to the stupid voice. I can hate myself on
my own time.
PAM: What type of experiences make you fall
in love with improv all over again?
SUSAN: New
and old friends to play with, the excitement from people in the audience who've
never been there and the ones who come back again and again and sometimes every
week, the beauty and horror of this art, students who have epiphanies...all of
it. All the stupid and glorious lot of it all.
But then I'll take a little
break because it's nice to make a real cup of coffee instead of miming it.
PAM: Ha. Well said. That should be on a
t-shirt or something.
Are there any skills or techniques that you’re working on right now?
Are there any skills or techniques that you’re working on right now?
SUSAN: Not
that I'm consciously aware of, but there are elements of the work that get me
off.
I stick people in worlds
with other people and SEE WHAT HAPPENS. To me, even though it might work for
some others, it's not, "Whoever gets on the stage first and vomits their
thesis WINS." "Product" in improv means the scene's fucking OVER, so I don't
groove so much to the "mad lib" style of playing, although I can
stick my person in your tiresome, left-brain invented plot.
Ouch. That's harsh.
But everyone gets off
differently and I get off by discovery and specificity. And justifying what is
right in front of me than inventing anything better.
PAM: Wait. Now I'M getting hot. Talk more
about discovery and specificity.
SUSAN:
Smell it touch it taste it touch it feel it fuck it NOW. Be in the moment. The
audience gets off on your specificity, not your "funny" specificity.
You can eat a meal of Ritz cracker jokes, but you'll eventually say, "Did
I just fucking eat an entire meal of Ritz fucking crackers?" The only way
to heighten funny jokes is to be funnier and good fucking luck with that - it's
commenting on the moment and not being in it. Save that for your sketch or
stand up or trying to pick up that bitch in a bar.
That's my gig and it works
for me and it's not right and it's right, right?
PAM: Right.
I just saw TJ and Dave for the first time last weekend. I think they personify your point exactly.
I just saw TJ and Dave for the first time last weekend. I think they personify your point exactly.
SUSAN: Yup.
Love those boys and love playing with them, although I've only “Messed” in my
show with Dave once. I play with TJ all the time. I always try to kiss him and
he always tries to kill me. That's just the way we roll.
PAM: It was frustrating to watch them
because I couldn't see the GEARS in their improv, know what I mean?
SUSAN: They
make it like breathing.
PAM: Exactly!
SUSAN:
They listen extremely well, justify what the fuck is in front of them, and are
extremely specific and in the moment.
PAM: And, y'know what? A couple times in
each set, they made a string of jokes. But I feel like they earn the right.
SUSAN:
It's unfortunate, but we ARE comedians so sometimes we're funny.
 |
| Susan Messing, having more fun than anyone |
PAM: What makes you cum the hardest on
stage?
SUSAN:
Pretty much all of it if I'm having more fun than anyone.
PAM: I just wanted to display fearlessness
by saying "cum" to you.
SUSAN:
Blessings to your cum. (Which looks actually odd in print.)
PAM: My she-jizz thanks you.
I’m always curious about boiling improv down to a
simple skill set – that is, what basic muscle(s) should every improviser hone?
What one skill or technique on stage do you find the most important for
improvisers to focus on?
SUSAN: I
don't even know where to begin on that. I guess learning how to be in the
moment and trusting your gut instincts more?
Be seen. Be heard. Learn how
to act; and actors, learn how to improvise.
Don't take it back. Own what
you say and do, and then rape the shit out of it.
PAM: These t-shirt slogans just keep
writing themselves!
SUSAN: I
guess if this doesn't pan out I can always own a t-shirt shop.
Or work for Hallmark.
PAM: LOL. Dang. I snorted. Not Hallmark. It
would be called something else, your card company. “Good Morning, Fucko”
perhaps...
What makes a good improviser into a great improviser?
SUSAN:
Time.
PAM: Well said.
I can't wait to see Messing with a Friend when I'm in Chicago this summer. [In the weekly show Messing with a Friend, Susan invites one of her fabu improviser buddies to do a series of two-person scenes based on a single suggestion. The Annoyance website promises it is “a joyful, uncensored, and improvised romp through hell.” How delicious does that sound?]
Do you rehearse the show or just get up and do it?
SUSAN: I
have never rehearsed MWAF and I never
will. It's improv.
PAM: Is there anybody who hasn’t yet done Messing with a Friend who you’d really love to get?
SUSAN:
Harold Ramis. Then I can die.
PAM: Well, I for one hope Harold Ramis never “messes” with you.
Let’s talk about The Playboys! Sure seems like you ladies are having a
blast together! Tell me about the structure of the show and a little about your
process. (People will have to listen to your Improv
Nerd interview to hear about the boob-touching and lip-kissing.)
SUSAN: The Playboys (Kate Duffy, Rachael Mason, and me) perform every third Sunday of the month at The DeMaat Theatre at The Second City. We are the most hateful loving hateful loving people I know onstage. Rabid ferrets. No form - maybe it looks like a form to someone, just not to us.
SUSAN: The Playboys (Kate Duffy, Rachael Mason, and me) perform every third Sunday of the month at The DeMaat Theatre at The Second City. We are the most hateful loving hateful loving people I know onstage. Rabid ferrets. No form - maybe it looks like a form to someone, just not to us.
 |
| Kate Duffy, Susan Messing and Rachel Mason of The Playboys at the CIF 2012 Photo courtesy of Jonathan Pitts (Thanks, Jonathan!!!) |
PAM: And how can improvisers keep up to date on how they can take classes with you?
SUSAN:
We're building a Susan Messing website right now, but you can find out about
special workshops and master classes on Facebook. My Messing with a Friend schedule can be
seen at www.annoyanceproductions.com.
PAM: Thank you, Ms. Susan Messing!
SUSAN:
You're the most best. XOXOXOXOXOXOXO
PAM: Many more back at you, newfriend.
SUSAN: Yesplease
and thankyou and isthismikeonandgoooodnight.
***
If you're in Chicago and you'd like to bask in the glow of Susan Messing,
you can see her in
Messing with a Friend at The Annoyance Theatre
and in
The Playboys at The Second City.
****
If you're in Chicago and you'd like to bask in the glow of Susan Messing,
you can see her in
Messing with a Friend at The Annoyance Theatre
and in
The Playboys at The Second City.
****
Catch up on past improv nerd-a-thons:
Geeking
Out with…Chris Gethard of “The Chris Gethard Show”,
…with
Joe Bill of BASSPROV,
…Jimmy
Carrane of the Improv Nerd podcast,
…Jet Eveleth of The Reckoning,
and many
more
And
"like" the "Geeking
Out with..."FACEBOOK PAGE please.
Pam Victor
is the founding member of The Ha-Ha’s, and she produces The Happier Valley Comedy Shows in western Massachusetts. Pam
directs, produces and performs in the comic soap opera web series "Silent H, Deadly H". Pam also writes mostly humorous,
mostly true essays and reviews of books, movies and tea on her blog,"My Nephew is a Poodle." If you
want to stay abreast of all the geek out action, like the “Geeking Out with…” Facebook page!
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