Friday, October 24, 2014

The Zen of Improv: Curiosity Killed the Crap Scene

by Pam Victor

[The Zen of Improv is a series of articles about the mind-expanding, groovy side of improvisation and other hippy shit. 
You can find all the pieces here.]

Do this. Don’t do that. Do listen. Don’t reject other people’s idea. Do play the patterns. (Don't play the patterns.) Don’t try to be funny. (But do be funny. Just don’t try.) Don’t do transaction scenes. Don’t ask questions. Don’t do teaching scenes. (Except when it feels right to do transaction scenes, ask questions, do teaching scenes.)

And behind all of these dos and don’ts is the big granddaddy of them all: Don’t be afraid. Fear kills every great scene. Fear that I’m going to fail. Fear that I’ll humiliate myself. Fear that I’ll piss off my scene partners. Fear of being too "in my head." Fear of not being in control. Fear of trusting my scene partners. Fear of doing a shitty scene and everyone will hate me and I’ll get cut from the team and nobody will ever want to play with me and I’ll never get to improvise again … and … and … and …

I think we can all agree that fear is where good improv scenes go to die. But how do you stop being afraid? I don’t know about you but the command “Don’t be afraid” only bounces off me like a rubber ball. It’s fun to contemplate the "Don't be afraid" ball whooshing towards my gut, but, like other “don’ts,” it doesn’t stick. Bonk!, boing, boing, boing, it bounces off and bumps along on its little rubber ball way. Hell, if I could just stop feeling something through sheer desire and will, you can bet your ass that right now I would instantly stop feeling afraid and ashamed and regretful and longing and grief and a whole jackpot of other horrible feelings. But, hey, maybe you’re a better person than I? Maybe “Don’t be afraid” makes you stop being afraid? If so, then Congratufuckinglations! There is no reason for you to read any further. Go forth and improvise in greatness! Love and peace be with you.

Still here? 

Yeah. Me too.

"I think, at a child's birth,
 if a mother could ask a fairy godmother
to endow it with the most useful gift,
 that gift should be curiosity."

- Eleanor Roosevelt

Eleanor was no Zen master, as far as I know, but Curiosity seems like it would be a good wide-thinking idea. So lately, I’ve been experimenting with simply feeling curious about what it would be like if fear – or any unwanted thought habit - wasn’t a part of my work. Instead of wishing glumly for things to be different, I’m trying to be CURIOUS about what it would be like if things were different. And that's all. All I'm trying to do is think about being curious. So rather than, “Don’t be afraid of doing a shit show tonight,” I’ve been trying to think, “I wonder what it would feel like not to be afraid of doing a shit show tonight?” What would it be like to improvise with a simple sense of wonder as my guiding force? What would it be like to be curious onstage? I wonder what is going to happen next? If curiosity killed the cat, then in this case the cat would be the thoughts and habits that impede becoming the best improviser I can be. Those thoughts and habits are a bad cat. It's the cat that lets you pet it, its purring relaxing you into a daydream, then suddenly bites the shit out of your hand. Bad, bad cat.

I wonder what it would be like not to feel afraid tonight? I wonder what it would be like to not worry that I don’t know where the scene is going and how it will end? I wonder what it would be like to let go of worrying about the theme of the Harold? I wonder what it would be like to completely let go and trust my scene partners to be geniuses, artists, and poets?

Maybe at my next show, I'll just pick one of those questions up there or make up some other moment of curiosity. Instead of being bossy with that stubborn toddler of Fear inside  – Do that. Don’t do that! -  I wonder what would it be like to simply be curious about a show without Fear? I wonder what it would be like to let go and trust that it will all be okay?

That’s some terrifying shit. But I have to admit, I’m a little hot-stove curious about it.

* * *

Still improv curious? 
Here is another Zen of Improv called The Hardiest Easiest Work.

And check out  some of these "Geeking Out with..." interviews 
in which I get to geek out with a big thinking in the improv world.


Pam Victor is an improv comedian, author, teacher, consultant, and nice person. She is the founder and Head of Happiness of Happier Valley Comedy, the epicenter of improv in Western Mass, where Pam teaches The Zen of Improv to the best students in the world as well as bringing the power of improvisation to the workplace in her "Through Laughter" program.  TJ Jagodowski,  David Pasquesi, and Pam are the co-authors of "Improvisation at the Speed of Life: The TJ and Dave Book."   She lives online at

Unless you're a meanie, Pam would probably like you.


  1. I found this blog through the Western Washington Improv group on Facebook and loved this post. I've often wondered about how all of the things I've learned through improv classes have affected how I approach a scene, and I think a lot of it comes from being afraid to make a mistake. The next time I'm onstage, I'm going to make it a goal to be curious. Thanks for this!

  2. Yes! I have consistently found staying in curiosity in many areas to be a powerful antidote to fear. I've also noticed that it helps me to stay out of my head (and ego) and be more present in many situations, but I've never intentionally applied that strategy to scenes. Oh yeah, totally going to do that now! Thanks for the great idea!